Stages of Making a Quality Music


If you are new to the music production industry, we will explain the various steps involved in making good music and organizing the process in your head. In today’s music industry, there are no actual rules. People can record whatever they want and use it as their sample. Individuals can automate effects in ways that they never imagined before.

Musicians can mix genres and rhythms to create melodies and beats that go further and make new classification of music all their own. But just because individuals can do anything does not mean they should. No matter what kind of music you are making, you want it to be good-quality music.

People wish listeners enjoy the songs on their tracks, hear the message, and not be distracted by weak playing and bad recordings. As a cook with a kitchen full of quality ingredients, there are a lot of ways to put their masterpiece together, and it is effortless to muck it up. This article aims to help individuals understand the entire process of making good music from start to end, so they can create tracks that can meet the standard of quality which everyone can call quality music, regardless of genre or style.


What does it mean to songwriting when so much of today’s popular music is wordless? It is an excellent question for we can discuss on another article. But now, let us say that the songwriter is the method of putting ideas together to form a more significant structure of melody, rhythm, and harmony. It is the process of developing ideas that result in the start, middle, and end. The right question is, what makes a quality song?

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It is also pretty debatable, but questions experts are more willing to take on. A quality song when it comes to content will depend on listeners and what they are drawn to. It is usually very subjective. But a quality song when it comes to craft can be identified objectively and usually have every element (beginning, middle, end, rhythm, harmony, and melody) and will be put together in ways that are pleasantly identifiable while being creative and dedicated to the song’s message.

When it comes to the lyrics, a lot of individuals think of prosody – how the music and lyrics works to help support each other. It is not enough to have excellent lyrics. It is not enough to have perfect lyrics from a literary point of view. It also needs to sound musical when the person singing sings them. For a lot of people, the process of writing a song is tied into the process as it usuallystarts with drum loops and build it from there, recording ideas on top of each other until the piece is finished.

Even though it may be a different technique compared to songwriter/singer who sits with their notebook and guitar to draw a tune, the result still needs to be assessed according to the guidelines: Are the harmony and melody catchy enough to stay in the listener’s head after the track is done? Does the song keep people’s attention with ideas as it develops? Does the track groove?

Taking away every aspect of the production, if individuals had to play the track, bear with only a vocal and one instrumental. If not, the rest will not matter that much. But get this right from the beginning, and the rest of the process will easily follow.

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Of all the music-production stages, arranging the track is maybe the most neglected and least understood. When songs have excellent beats and melodies but get very repetitive after some time, it is usually an arrangement issue. It is the ordering that makes a track interesting. In simple terms, arrangements of songs refer to the selection of musical instruments playing in every section – how they are arranged, as well as how sections are set in the majority of the song.

If you have written a good chorus and verse, it is not enough to just play the track repeatedly or on repeat. There needs to be a good build up. For instance, the first verse only has vocals and guitar, the second verse adds the drums and bass, and the first chorus adds vocal harmonies and synthesizers. It is the arrangement of the different instruments in the song.

And just because musicians introduced instruments does not mean it needs to stay there from start to finish. Sometimes, the musician only wants a specific instrument playing in the song’s pre-chorus, or they will bring it in in the next half of the final chorus to add some climactic impact or they will have a part playing only one side for the starting act of the song’s verse and then put the stereo for the final half. The possibilities are unlimited. What is important is to keep everything moving. Even small additions can add interest for listeners, whether they notice it or not.


For most people, it is where the fun starts. They have written the words for the song, recorded it, and it is time to sit back and turn it into a quality masterpiece. Knowing how to do mixing is an art form on its that takes many years of practice and learning. But that does not stop individuals from doing it, and they need to feel free to engage it and start checking the possibilities.

It is a process of combining every instrument they have recorded into a stereo mixing and mastering a track. An excellent mix will let them hear every instrument with detail and clarity. It will have a motion and depth. It will sound excellent and support the intention of the track. Making a track is a world of its own, and a lot of individuals choose to focus more on this aspect of the process.

Professionals like to think of it as being a good conductor of an excellent orchestra where they get to decide how it will sound: which instrument will be louder, where it will be on the spectrum, which will sound at the front, and which will sound at the back, what effects will users use and when to use it.